- The word count needed for this task is 5000 words. I might ask for another order to expand the work to 10,000 words. This depends on the quality of the work made by the writer.
- I attached with this order two books.
The first book is the novel Tim Winton’s Dirt Music. I want the writer please to read this novel to analyze and use a large number of quotes to keep the quality of the essay in a solid quality. Please do not depend on summaries from websites. There are no accurate details written on the websites about this novel. You can also depend on the articles written about this novel to argue in this assay. Please let me know if you need to download any resource
The second book is Kyle Crane’s Myths of Wilderness in Contemporary Narratives: Environmental Postcolonialism in Australia and Canada. I want the writer to read a chapter in this book written about Tim Winton’s Dirt Music. This chapter can help in understanding the novel and how the novel represents the myth of wilderness, which is the main theme I want the writer to discuss in this essay
- I want the writer please to use almost 20 resources. 10 resources for critics written about Tim Winton’s Dirt Music and the author. 7 resources for the theoretical approaches of ecocriticism and postcolonialism. 3 resources for the myth of wilderness.
- I want the writer please to take enough time to work on this order. This is a PhD level. So, please do not be rushing in producing this essay. I can give extra time if you need.
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Outline of the essay.
- Summary of Tim Winton’s Dirt Music (200 words)
- Summary of the essay’s thesis statement and arguments (500 words)
- Section I (1400 words)
The section analyzes how Tim Winton’s Dirt Music represents the myth of wilderness as a colonial ideology used by settlers to exploit and dispossess the Aboriginal lands in Australia. The section also engages with how the novel shows the reaction of the Aboriginal people to this colonial myth of the wilderness.
- Section II (1400 words)
The section represents the theoretical approaches of ecocriticism and postcolonialism in Tim Winton’s Dirt Music. After that, the section argues how these theoretical approaches of ecocriticism and postcolonialism represented in the novel challenge the myth of the wilderness and its use by the settlers to colonize the Aboriginal people and their Australian lands, as section I analyzes.
- Section III (1400 words)
Based on section I and II, this section argues the following: Despite the increasing acceptance of broad affinities between these theoretical approaches of ecocriticism and postcolonialism (represented in Tim Winton’s Dirt Music) in challenging the myth of the wilderness, ecocriticism in the novel often replicates the mechanisms by which indigenous peoples are exploited and dispossessed within the wilderness myth.
- Conclusion (100 words)
