Assignment 5 (Week 13) Tones

Introductory remarks

Phola has four basic tones and three secondary tones as per the following table:

 NumbersTonal letters
Primary tones55˥
33˧
22˨
31˧˩
Secondary tones52˥˨
32˧˨
312˧˩˧

Table 1: Phola tones.

  • The primary tones appear in all kinds of syllables whereas the secondary tones are lexically restricted to syllables with diphthongs ending in æ.
  • Phola has contrastive phonation types, opposing modal voice to creaky/tense voice, e.g., nɑ³¹ ‘many’ vs nɑ̰³¹ ‘deep’.
  • In some cases, syllables may coalesce, resulting in various degrees of fusion involving both segmental and suprasegmental (tonal and phonation) features.

Instructions

In the module for Week 13 you will find 9 sound files containing Phola recordings.

Recording 1 contains the following phrase (only segments provided; | indicates pause):

[ŋɑ=pɔ næ̰ | ŋɑ kɑ tʰeæ=ji] ‘this is something that my father told me’

Recordings 2-5 correspond respectively to the following phonemic transcriptions of Phola  phrases (phonemic tones provided):

/u³³ i⁵⁵pɔ³³/ ‘his/her father’

/ɬɑ²²ʐu⁵⁵mɔ³³ næ̰³¹/ ‘by the bee’

/sɨ⁵⁵ næ̰³¹/ ‘by others’

/ɑ²²kḭ³³ xi⁵⁵ tʰi³³ kʰɨ⁵⁵/ ‘One that is downhill; the next one’

Recordings 6-8 all correspond to the following phonemic transcription:

/qʰɑ⁵⁵mɔ³³qɔ²² ʑe³¹ le⁵⁵ xi⁵⁵/ ‘One that runs very fast’

Based on the preceding phonological analysis of the Phola tonal system and on the Phola dataset provided above answer the following questions:

  1. Provide a phonemic transcription for recording 1. Make sure to provide the inferred phonological tone for each syllable. Justify your choices in less than 100 words. (30/100)
  2. Provide a narrow phonetic transcription for recordings 2-5 trying to provide as much detail in terms of both segmental and suprasegmental features (20/100). Use autosegmental notation to capture the difference between the underlying representations and the surface forms for these four recordings. Justify your transcription and notation in less than 100 words. (20/100).
  3. In less than 200 words, analyse the three possible surface forms of the phrase ‘One that runs very fast’ (recordings 6-8) discussing the nature of UR → SR changes in both phonetic and phonological terms. What kind of processes are active here? Why do you think this is? Make sure to include a succinct discussion of segmental and suprasegmental aspects (including tonal and prosodic considerations) and their mutual interactions. (30/100)

Note 1: Word counts will be enforced very strictly. No marking past the word count limit.

Note 2: Whilst doing your analysis, you may find it useful to refer to the following Phola wordlist:

tʰi³³ ‘one, a’

kʰɨ⁵⁵ ‘general nominal classifier’

qʰɑ⁵⁵mɔ³³qɔ²² ‘extremely’

sɨ⁵⁵ ‘they; others; someone unknown’

ʑe³¹ ‘run’

=xi⁵⁵ ‘the one that; -ing; relative marker; associative marker; nominaliser’

næ̰³¹ ‘by, through; agentive marker’

ŋɑ³³ ‘I, my’

le⁵⁵ ‘fast’

ɬɑ²²ʐu⁵⁵mɔ³³ ‘bee’

ɑ²²kḭ³³ ‘downhill’

i⁵⁵pɔ³³ ‘father’

u³³ ‘(s)he, his/her’

Bonus question (up to +20 points):

Consider the following phonetic and phonemic renditions of recording 9 and explain how and why the surface realisation of suprasegmental features differs from the underlying representation and how they may or may not be linked to segmental features.

/  ŋɑ³³=næ̰³¹  ŋɔ³³      ɲi⁵⁵=xi⁵⁵     kʰḭ²²     ke⁵⁵      tʰi³³               kʰɨ⁵⁵     le³³  |   nu³³      kʰḭ²²          me³³=xḛ³¹  ||  nu³³     ʐɨ²²pɑ̰³¹   |   ke⁵⁵      tʰi³³      nɑ²²                             kʰḭ²²          ||  /

[   ŋɑ̰³¹               ŋɔ³³      ꜛɲiːː⁵⁶           kʰḭ²²     ke⁵⁵      tʽi³³                kʰɨ⁵⁵     le³³  |   nɯ³³    kʰḭ²²          me³³=xḛ³¹ʔ     nɯ³³    ʐɨ²²pɑ̰²¹ʔ      ke⁵⁵      ꜜtʽi³³     nɑ²²                             ꜜkʰḭ²²ʔ      ]

     I=by              see        spot=rel     dog       that      one            clf        top        you       dog       neg=is                    you       neighbour   that      one       clf.household dog

‘The dog that I saw is not your dog. It’s your neighbour’s dog.’

Note 3: ꜜ stands for a downstep (tone realised slightly lower than its usual phonetic value)

ꜛ stands for “upstep” (tone that is realised slightly higher than its usual phonetic value)

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